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Christopher Monk was amongst the first to make reconstructions of the cornett (or cornetto), the highly regarded virtuoso wind instrument whose top players commanded higher fees than any others in the early seventeenth century. He put cornetts in the hands of the late David Munrow and, largely through Munrow’s Early Music Consort of London, the cornetto began to regain its former popularity. It is now played at amateur and professional levels across the world from New Zealand to New York, heard with increasing frequency at major music festivals and enjoys excellent and increasing representation on recordings.
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